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Long Dark Tea-Time of the Soul (Dirk Gently Book 2), by Douglas Adams

Beloved, bumbling Detective Dirk Gently returns in this standalone novel from Douglas Adams, the legendary author of one of the most beloved science fiction novels of all time, The Hitchhiker’s Guide to the Galaxy.

When a check-in desk at London’s Heathrow Airport disappears in a ball of orange flame, the event is said to be an act of God. But which god? wonders holistic detective Dirk Gently. And how is this connected to Dirk’s battle with his cleaning lady over his filthy refrigerator…or to the murder of his latest client? Or are these events just another stretch of coincidences in the life of the world’s most off-kilter private investigator?

Douglas Adams, “one of England’s top exporters of irreverence” (Chicago Tribune), continues the implausible adventures of supersleuth Dirk Gently in his quest to solve the mysteries of the universe.

  • Sales Rank: #7896 in eBooks
  • Published on: 2013-02-26
  • Released on: 2013-02-26
  • Format: Kindle eBook

From Publishers Weekly
"The British author of the Hitchhiker trilogy and other immensely popular lunacies, Adams permits no whiff of common sense to spoil his new novel, which combines fantasy, hilarity and creeping horrors," remarked PW . Here, sleuth Dirk Gently investigates a lawyer and an advertiser who possess the soul of the god Odin. "The plot's ramifications are marvelous, bloody and irresistible."
Copyright 1989 Reed Business Information, Inc.

From the Publisher
Now, New Millennium Audio presents all the works of Douglas Adams on audiobook. The science-fiction trilogy, Hitchhiker's Guide to the Galaxy, and its four companions, all available, as well as The Salmon of Doubt.

About the Author
Douglas Adams created all the various and contradictory manifestations of The Hitchhikers Guide to the Galaxy: radio, novels, TV, computer game, stage adaptations, comic book and bath towel. He lectured and broadcast around the world and was a patron of the Dian Fossey Gorilla Fund and Save the Rhino International. Douglas Adams was born in Cambridge, UK and lived with his wife and daughter in Islington, London, before moving to Santa Barbara, California, where he died suddenly in 2001. After Douglas died the movie of Hitchhiker moved out of development hell into the clear uplands of production, using much of Douglas' original script and ideas. Douglas shares the writing credit for the movie with Karey Kirkpatrick.

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3 of 3 people found the following review helpful.
Douglas Adams is not predictable.
By Barry Memory
The Hitchhiker's Guide to the Galaxy is one of my favorite books of all time and is certainly, hands down, my favorite comedy. I decided to give Douglas Adams a try again with the two Dirk Gently books and I'm glad I did. These two books are right up there with some of the best literature ever. My only problem is that Douglas Adams is not alive to write more incredible books.

0 of 0 people found the following review helpful.
like a lot of nerdy people in their late 30s
By Brigid Keely
I was describing the Dirk Gently books to a friend and emphasized that they didn't rely on supernatural things and then had to back track since the first book involves time travel and aliens and this book involves literal acts of god(s). The books are so grounded in the real, in specific places and times, and have such ordinary and well rounded characters that the time travel and aliens and gods and interdimensional travel and everything else just seems normal. Inconvenient but normal. So flight delays, massive eagles swooping down on people, pizza places that refuse to deliver, demonic contracts, defective telephone lines, missing cats, and men channeling dustin hoffman all seem on the same level. It's a tremendous bit of skillful writing that many other authors and wannabe authors imitate poorly.

For me, like a lot of nerdy people in their late 30s, reading a Douglas Adams book is like slipping into your favorite pair of pajamas. It's a cozy comfortable familiar fit you can relax into. For most of us we haven't actually READ Adams in years. The Gently books hold up very well. They're witty without being cloying or "wacky" and Adams manages to write a book that doesn't center a confused, passive, out of his depths but gamely going along with it male character. Instead we have Kate Schecter, a reporter who's foiled in her attempt to join (or just miss) her emotionally and physically absent boyfriend. She takes an active role in investigating what's going on. We also have Dirk Gently, the holistic investigator, whose philosophy that all things are interconnected leads him down some very interesting (but, alas, rarely lucrative) paths. He, also, takes an active role in investigating what's going on, including negotiation with gods and advertising executives. It's a nice change of pace. The plot also feels less like a recycled Doctor Who script and more original.

One could probably jump right into this book without having read the previous, but "Dirk Gently's Holistic Detective Agency" is very worth reading in its own right.

It's great when a cherished book holds up over the years.

I wish the tv shows were better.

0 of 0 people found the following review helpful.
Irreverent and attention grabbing.
By Alexander Tosspot
I'd read the first Dirk Gently novel quite a few years ago, and I'm not sure why it's taken me until just now to pick up the second one. But now that I have, I'm glad I did.

In a weird way, this novel is American Gods done right. That was a novel in which I loved the premise, but felt very let down by how the story eventually developed and concluded. But in The Long Dark Tea-time of the Soul, I think it took a similar premise, but crafted a more grounded, but better executed story from it.

Plus the writing style of Douglas Adams has always delivered. Even in his lesser quality works, his style shines through, and does elevate material to a higher quality. Here, everything comes together in a very entertaining package.

Pacing is fairly quick, and the story keeps moving. What this means is that it's a pretty mean and lean read without any real filler in it. But it also gets all the information that it needs to to the reader. Some of the detail or scene descriptors might go a little long in spots, but that's entirely a Douglas Adams stylistic choice, and it's to the benefit of the novel, rather than a detriment.

On a personal note, this also marks the last bit of writing material available for me to read out of Douglas Adams back catalogue, which is a shame. And I do wish he had done more with the Dirk Gently series. Aside from this and the first book, there's a fractured and half completed third novel, which he was in the process of retrofitting into another Hitchhiker's Guide book before he died. But I will just have to appreciate what's there.

But yeah, a definite recommend from me. Especially if you are a fan, and somehow have managed to avoid reading this. It's a fun read from start to finish, with some quite clever parts to it.

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  • Published on: 2011-01-15
  • Binding: Hardcover

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Lakea Johnson is a 14-year-old girl growing up in the crime riddled streets of Memphis, TN. She is forced to endure unthinkable turmoil and pain at the hands of those who are supposed to protect her, leaving her battered and broken time after time. Lakea's life is just one tragedy after the next, pushing her into a pattern of violence and rebellion. Then one day she meets Jeremy and he gives her something she has been searching for her entire life....unconditional love. As Lakea continues to struggle with the harsh realities of her environment, she and Jeremy become closer, however tragedy strikes again, shattering her heart and dreams, while turning her world upside down. Lakea is a broken girl with a long hard journey ahead of her. Does she have what it takes to overcome? Or will she always be broken?

  • Published on: 2014-02-17
  • Released on: 2014-02-17
  • Format: Kindle eBook

Review
Thank you so much everyone for purchasing my book and showing your support. I really appreciate it. A Broken Girl's Journey was a very emotional and heart wrenching book because it depicted a lot of real-life experiences as seen through my eyes. Prepare to laugh, cry, get angry, and be happy going through the ups and downs with the characters in this emotional thrill ride of a book. The A Broken Girl's Journey spin-off series Bent, but Certainly NOT Broken: Kylie's Journey is coming soon so if you're not familiar with all of the books in the series prepare to 1-click the following titles NOW!!- Niki JilvontaeA Broken Girl's JourneyA Broken Girl's Journey 2A Broken Girl's Journey 3A Borken Girl's Journey 4: Kylie's Song

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8 of 9 people found the following review helpful.
Wonderful, amazing emotional ride
By kwadzana
There are so many superlatives about this book, I’m not sure where to begin. Author Niki Jilvontae has that rare ability to make you feel every human emotion and she won’t let go. The character development is amazing. The main character Lakea pulls at your heartstrings like you’re a marionette.

Lakea has that most precious of human attributes; passion. Passion is what makes her love deeply but it is also what continually gets her into trouble. We know and feel there is a big and loving heart inside her but due to circumstances far beyond her control, there is a coat of armor around her heart. It’s a gripping, emotional rollercoaster from the first to the last sentence. Warning: there may be a few parts that will make you teary eyed.

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EXCEPTIONAL READ!
By MITA RHODES
NIKI GIRL, STAND AND TAKE YOUR BOW BECAUSE I'M GIVING YOU A STANDING OVATION! I DON'T EVEN KNOW WHERE TO BEGIN READERS! ALL I CAN SAY IS THAT THIS READ WILL BRING OUT EVERY KNOWN EMOTION YOU HAVE. LAKEA AND HER BROTHERS UNDYING LOVE FOR ONE ANOTHER, ALL ALL THE MISFORTUNE WAS EXCELLENTLY WRITTEN AND MADE FOR ONE HE'LL OF A BOOK.

8 of 9 people found the following review helpful.
A broken Girls Journey!
By MBD1993:-)
Took me a minute to finish this book. I had to re-read cause I guess my reading was a little off for the week. Anyways, ended up being a good story after all. Lakea has gone through a lot and ahs lost a lot of love ones I am hoping something good can work out for her in part 2 (REVENGE). great READ!

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Feminist Literary Studies: An Introduction (Canto original series), by K. K. Ruthven

The rise of feminism is undeniably one of the major events in the development of literary criticism this century. Feminist approaches have pushed forward both the theory of literary criticism and the understanding of individual works of literature. K. K. Ruthven's lucid introduction to the subject offers a broad survey, looking at the impact of Marxism, structuralism, and post-structuralism on feminist critical practice; the argument that literary language has been shaped by masculine bias; and feminist claims for distinctive styles and traditions of women's writing. As a lively contribution written by a man to a highly controversial topic dominated by women, K. K. Ruthven's study is original and even provocative, but above all serves as a valuably clear and sympathetic guide to the complexities of an important issue in modern literary studies.

  • Sales Rank: #4060114 in Books
  • Published on: 1990-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .39" w x 5.43" l, .44 pounds
  • Binding: Paperback
  • 164 pages

Review
' ... fascinating reading for anyone who needs convincing of the need for feminist literary studies.' Year's Work in English Studies

' ... a stimulating book ... wide-ranging in the light of its modest claim to be an introduction to its subject.' The Times Higher Education Supplement

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Rabu, 04 September 2013

[R996.Ebook] Download Light From the Ancient East, by Adolf Deissmann

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Light From the Ancient East, by Adolf Deissmann

Light From the Ancient East, by Adolf Deissmann



Light From the Ancient East, by Adolf Deissmann

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Light From the Ancient East, by Adolf Deissmann

“LIGHT from the East”—it is a curious title for the book, but before you censure it just look for a moment at the Eastern sunshine. On the castled height of Pergamum observe the wondrous light bathing the marble of Hellenistic temples at noonday. At Hagios Elias in Thera look with hushed rapture upon the golden shimmer of the same light over the endless expanse of the Mediterranean, and then in the vino santo of the hospitable monks divine the glow of that same sun. Mark what tones this light has at command even within stone walls, when at Ephesus a patch of deep blue sky gleams through the roof of a ruinous mosque upon an ancient column now mated to a fig-tree. Nay, let but a single beam of the Eastern sun peep through a chink of the door into the darkness of a poor Panagia chapel: a dawning begins, a sparkling and quickening; the one beam seems to wax twofold, tenfold; day breaks, you take in the pious meaning of the wall frescoes and the inscribed words, and the miserable poverty that built the shrine is forgotten.

  • Sales Rank: #1357016 in Books
  • Published on: 2015-07-22
  • Dimensions: 9.00" h x .62" w x 6.00" l,
  • Binding: Paperback
  • 272 pages

About the Author
Aeterna Press: Low-cost, high quality Christian Paperbacks and E-Books. Spanning the genres of Christian Bibles, Commentaries, Theology, Mariology, History, Devotionals, Meditations, Prayers, Monasticism, Sermons, Biographies, The Catholic Church, Church Fathers to Collections, Fiction, Philosophy, History, Literary Collections, References, Critiques and Poetry.

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27 of 30 people found the following review helpful.
Excellent Philogy, Poor Theology
By Eric W. Zeller
In 1927, G.A. Deissmann published his second volume dealing with New Testament philology, Light from the Ancient East. His purpose is "to show the importance of the non-literary written memorials of the Roman Empire in the period which let up to and witnessed the rise and early development of Christianity." The literary records are primarily memorials of the upper classes, and so to find the lower classes we need to go to the non-literary sources. Deissmann finds these non-literary sources to be of benefit philologically, for literary appreciation of New Testament, and because they help us with understanding of religion and culture. Throughout Light from the Ancient East (LFAE), Deissmann refers to the "new texts." This term is inclusive of three main materials, those being: Inscriptions on stone, metal, etc, Texts on papyrus (and parchments), and Texts on potshards (ostraca). All of these new texts are being discovered in large quantities, and their continued compilation and study can be a great aid in New Testament research. Chapter two of LFAE is on "The Language of the New Testament Illustrated from the New Texts." Deissmann summarizes his argument in saying "the first great impression we receive is that the language to which we are accustomed in the New Testament is on the whole just the kind of Greek that simple, unlearned folk of the Roman Imperial period were in the habit of using." That is the point of all of Deissman's writings, to establish that the Greek of the New Testament is the Greek of the common people. He is concerned about the New Testament being "isolated by the science of language." The bible, according to Deissmann is totally non-literary and popular in language and character, but is still beautiful in a natural way. There are several ways in which the new texts have value to the Scholar. The first is in the Phonology and Accidence of the language. The differences between the New Testament and Plato can be seen in this. The vocabulary of the New Testament is also very similar to that of the papyri. The number of words that occur only in the New Testament and not in new texts is growing very small as the papyri discoveries abound. The new texts also broaden our perspective on the meaning of words. Examples are given of several words where the meaning is very clearly defined by their use in the new texts. Another area in which the papyri give us illumination is that of standing phrases and idioms. When we see them in the papyri, we can better understand them in the bible. Deissmann says that the "Syntax of the New Testament has hitherto been least of all regarded in light of the new texts." That style of Greek had a syntax all its own, and that is often misunderstood by those fluent in Attic and Classical Greek. A result of all of this new information is confirmation that the New Testament is a "book of the people." So, viewing the New Testament as a non-literary document of the common people, in the third chapter Deissmann encourages us to look at the New Testament in relation to ancient literature. He would say "it has not yet sufficiently been viewed" in relation to the history of ancient literature. Literature is defined as "something written for the public... and cast in a definite artistic form." Deissmann reviews the letter/epistle distinction he drew in Bible Studies. He concludes that based on the study of other ancient letters, "in the New Testament there are both non-literary letters and literary epistles." He has "no hesitation" in stating that Paul's writings, along with second and third John are seen as "real letters," or non-literary writings. Conversely, Deissmann sees the letters of James, Peter, and Jude as literary epistles. The book of Hebrews is the most literary of all. As far as characters, "Jesus of Nazareth is altogether unliterary," and Paul is "equally non-literary." So if these characters and these writings are fundamentally non-literary, than the non-literary culture of that day is worth knowing, and the main source of knowledge about them is these "new texts." So, what is the application of Deissman's study? How does his work help our understanding of the New Testament text? This is the subject at hand in chapter four when he addresses Social and Religious History in the New Testament, as illustrated from the New Texts. Jesus interacted with and often made reference to the culture around him. He handled coins, dealt with fishermen, and told parables of everyday life. The inclusion of this in the New Testament, Deissmann believes, is a clue for us to study that culture. In this effort, "the New Testament student will reap a rich harvest from [the new texts]." One area that is illuminated by the New Texts is understanding of the parables and other illustrations used by Jesus. They aid our understanding, because "we are repeatedly able to illustrate from Egyptian papyri details of the life of the people in Palestine which Jesus immortalized in His parables." An example of this is the passages where Jesus discusses the value of a sparrow relative to that of a human, in God's eyes. There is an apparent contradiction in the value of sparrows spoken of in these verses, but by studying receipts and other texts from ancient times, we realize how it fits together. This is a good help, but Deissmann implies that the results of New Text study is much more far reaching, to the extent that "some traditional lines in the picture of the ancient world would have to be altered if we were to try to-day to depict that world after a study of its own records." Deissmann believes that the way we understand the biblical and post-biblical culture in inaccurate, and he goes on to discuss several areas in which he sees this. Understanding of the religious position of the ancient world is aided. While many today believe that the ancient world was totally corrupt and immoral, Deissmann argues that they are only perceived that way because it is not the common people that we hear from. We can see that other religions "competed with Christianity, because they were themselves missionary religions." Deissman also states that certain New Testament ethical concepts are paralleled in ancient pagan religious practice. He would even go so far as to imply that Paul borrowed concepts from secular literature in his writing. A continual emphasis for Deissmann is that the men who wrote the New Testament and those that they interacted with were common men, not of a literary nature. In fact, he affirms, "that these were men of the non-literary classes has been so often indicated in these pages from a variety of points of view, that I should have no objection if this thesis were described as a main feature of my book." This is a good point, but Deissmann almost tends toward postmodernism in his excitement over discovering the "individual souls" of the ancient world. An example of this tendency is the statement, "that ancient world of the insignificant and the many who hungered and thirsted, which seemed to be inaccessible save to the dreamy eye of the seer, and hopelessly lost to the scholar, now rises up before us in the persons of innumerable individuals." However, it is important to know the context of the scriptures we study. Deissmann would say that only those who "have hearts for the common people" should read and study the New Texts and reap the benefits that they provide. Another application of the New Texts is that they aid our understanding of whole groups of thought in the New Testament. One example of this concerns the word lu,tron, which is commonly translated as ransom. We find from the New Texts that "when anybody heard the Greek word lu,tron... in the first century, it was natural for him to think of the purchase-money for manumitting slaves." This perspective, gained from the New Texts, aids our understanding of this word and henceforth our understanding of the passages where it is used. The study of ancient coins for Deissmann yields the idea that Primitive Christianity made religion a serious business. Because of this, he assumes that the New Testament is "not a creature of theology, but religion." It is beyond the scope of this present work to critique the Deissmann's theology, but what is the New Testament if not theology? He also stamps the apostle Paul and Jesus Christ himself as "non-theological," and belonging to the age before theology. While it is true that the New Testament is critical religiously, it is absurd to say that it does not contain theology. Deissmann's final application of his study is to ask the question, what allowed primitive Christianity to gain converts? The first reason he gives is the popular character of Primitive Christianity. He says, "unless this fact is known and well emphasized it is impossible to explain historically the success of the attractive power of the gospel." Another important reason is the presence of miracles, which "gave to the New Testament a singularly popular position in the world around it." Christianity is historically peculiar, because it characterized by belief in one living

4 of 4 people found the following review helpful.
It has exceeded my expectations; never have I found ...
By Robin C. Downes
It has exceeded my expectations; never have I found it so hard to put a theological text down. It exhibits many ancient letters, inscriptions, coins and other texts that illuminates the New Testament books. These texts bring alive the reading of the New Testament in ways unimagined. This almost forgotten book is a must read for any serious student of the New Testament.

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